We’ve drooled over accessories for RED’s line of digital still and motion cameras, but now we’ve got some specs for the actual DSMCs. No release dates yet, but looks like the EPIC-X with it’s $28,000 price will come first.

The first of the two models we’re being teased with is the incredibly high-end EPIC-X which will be released in four stages, beginning with a pre-production model dubbed TATTOO and ending with the wide-spread final release model. The details explain the $28,000 price tag:

* New MYSTERIUM-X 5K sensor
* 5K (2:1) at 1-100fps
* 4K (2:1) at 1-125fps
* Quad HD at 1-120fps
* 3K (2:1) at 1-160fps
* 2K (2:1) at 1-250fps
* 1080P (scaled from full frame) at 1-60fps
* Increased Dynamic Range, reduced noise
* Time Lapse, Frame Ramping
* REDCODE 250
* ISO 200-8000
* New FLUT Color Science
* Completely Modular System, each Module individually upgradeable
* Independent Stills and Motion Modes (both record full resolution REDCODE RAW)
* 5 Axis Adjustable Sensor Plate
* Multiple Recording Media Options (Compact Flash, 1.8″ SSD, RED Drives, RED RAM)
* Wireless REDMOTE control
* Touchscreen LCD control option
* Bomb-EVF, RED-EVF and RED-LCD compatible
* Multiple User Control Buttons
* Interchangeable Lens mounts including focus and iris control of electronic RED, Canon and Nikon lenses (along with Zoom data)
* “Touch Focus Tracking” with electronic lens mounts and RED Touchscreen LCDs
* LDS and /i Data enabled PL Mount
* Rollover Battery Power
* Independent LUTs on Monitor Outputs
* Independent Frame Guides and Menu overlays on Monitor Outputs
* Monitor Ports support both LCD and EVF
* True Shutter Sync In/Out and Strobe Sync Out
* 720P, 1080P and 2K monitoring support
* Gigagbit Network interface and 802.11 Wireless interface
* 3 Axis internal motion sensor, built in GPS receiver
* Enhanced Metadata
* Full size connectors on Pro I/O Module. AES Digital Audio input, single and dual link HD-SDI
* Support for RED, most Arri 19mm, Studio 15mm, 15mm Lite, Panavision and NATO accessories
* Dimensions- Approx. 4″x4″x5.5″
* Weight (Brain only)- Approx. 6 lbs (2.72kg)

The other temptress is the Scarlet 2/3-inch, which is “more akin to current video-shooting DSLRs, though it doesn’t have a full frame sensor.” As with the EPIC-X, there’s no release date given. There are some great specs though:

* Increased REDCODE data rates
* New FLUT Color, Gamma and Sensitivity Science. Now same as EPIC.
* More extensive modular system integration.
* Interchangeable Lens mounts including focus and iris control of electronic RED, Canon and Nikon lenses, along with Zoom data (Scarlet 2/3″ Interchangeable)
* “Touch Focus Tracking” with electronic lens mounts and RED touchscreen LCD’s (Scarlet 2/3″ Interchangeable and 8x Fixed)
* Two independent microphone level channels, balanced input circuits, 48V Phantom Power, digitized at 24-bit 48KHz.
* GigaBit Ethernet port
* Scaled 1080P at 60fps

Word is that there’ll be more information at the end of the month, but that won’t stop us from already fantasizing about what to do with the cameras. [Red User via Engadget]

Continue reading about The RED Digital Film Cameras’ Spec Lists Are As Big As Their Prices

My first real camera was a Canon S50. I loved it. Canon let the pro compact S line die a few years later. It’s back with the S90, though the only thing that’s the same is that it’s still awesome.

Sex and Brains

It’s got the same spacious image sensor as the G11—1/1.7″ as opposed to 1/2.5″ like most point-and-shoots. But instead of being built into a Panzer tank, it’s in the body of a hot German model. It’s an actual point-and-shoot: It fits in the pocket of your skinny jeans, but delivers, for the most part, the same wow image quality.

I wish it was slightly more square with sharper angles for an even more classic aesthetic, but it’s still pretty classy looking. The texture, which makes for half of the appeal, makes it a little slippery. The control ring around the lens is like the perfect scarf that ties it altogether. And despite being a bantam-weight shooter, it feels more solid than most cameras its size.

Lord of the Ring

What makes the camera really work is that control ring wrapped around the lens. By default, when you turn it, it adjusts the main setting for each mode—aperture in aperture priority, shutter speed in shutter priority, you get the idea. Using the ring function button on top of the camera, you can set the ring to adjust almost whatever parameter you want though, like white balance, ISO, exposure, even specific zoom intervals.

Truthfully, using the dial never feels completely seamless, because of way you’re forced to hold the camera. As a result of its pint size, there’s no completely natural hand or finger posture for spinning the ring. But, the control it manages to put at your fingertips is remarkable: In manual mode, I had aperture mapped to the main ring, exposure set to the control ring on the back (which, like the G11, is a little too small to have a settings dpad stuffed in the center of it) and ISO speed mapped to the shortcut button. The only real issue with that setup is that the ISO setting interface lags behind your input occasionally, so you sometimes overshoot the ISO speed you wanted.

Just a Little More Hardware Talk

There’s no viewfinder, so you’re stuck using the screen exclusively. The LCD is a little bigger than the G11’s, at 3 inches, though it uses the same number of pixels and obviously doesn’t swivel out. It too is easily viewable in sunlight, though I found a more of a difference, exposure-wise, between what I thought I shot according to the display and what I later saw on my computer, than I noticed with the G11. Also, there’s no flash hot shoe, like you get with the G11.

The battery’s small, obviously, so your picture taking is capped at a little over 200 shots, according to Canon. My days of shooting didn’t contradict that, for better or for worse—I’d get to half battery after around 100 shots and a couple video clips.

Finally, the Photos (and Video)

Since it’s the same 10-megapixel image sensor as the G11, yes, you do get just about the same fantastic image quality, solid low-light performance (noise doesn’t start really kicking in til ISO 800, and even that’s totally usable for most stuff) and ability to shoot in RAW. The main difference is in the lens. The S90 has a faster lens that’ll shoot at F/2 wide open, meaning you rely less on that high ISO—up to 3200—to compensate for the lack of light. The oh-so-small price for this incredibly fast lens is that you lose a bit of zoom, since it goes out to 105mm, vs. the G11’s 140mm, but who cares? I can’t reiterate how big of a deal a lens like this is on this kind of point-and-shoot. That said, I seemed to get photos that were a touch less sharp than what I got on the G11.

Here’s a gallery of some stuff I shot, which you can compare to G11 sample photos and ISO tests (spoiler, they look great):

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The video’s still 640×480, and still quite good too:

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Buy If You Need a Tiny-But-Great Camera

I know, it’s $430, way more than most point-and-shoots cost in this day and age. But the amount of picture power this literally slips into your pocket is almost unbelievable: Outstanding low-light performance for a camera this size; a speedy lens; full control rings, plural; and yep, RAW. It’s the soul of what makes the $500 behemoth G11 great, packaged in a true point-and-shoot. You lose some power and some pro tools, like the swivel screen, a (shitty) viewfinder, faster burst shooting, hot shoe, some zoom and a custom mode or two, but you’re also shedding a ton of bulk, meaning you’ll actually take it everywhere. And the best camera’s always the one you have with you—for me, that’s this camera, which just happens to be an excellent one all by itself.

G11’s awesome image sensor plus a fastfastfast lens means awesome photos

Looks like a serious little camera (it is)

Did I mention I love this camera?

Control ring can feel awkward

More battery life and 720p video would be nice

[Canon]

Continue reading about Canon S90 Review: It’ll Never Leave My Pocket (Except When I’m Taking Pictures)